Kelly McCullough writes fantasy, science fiction, and books for kids of varying ages. He lives in Wisconsin with his physics professor wife and a small herd of cats. His novels include Numismancer, Winter of Discontent, the WebMage and Fallen Blade series — Penguin/ACE, School for Sidekicks, Magic, Madness, and Mischief, and Spirits, Spells, and Snark — Feiwel and Friends/Macmillan. His short fiction has appeared in numerous magazines and anthologies. He has Patreon and Ko-fi pages for those who are interested in supporting his work more directly.
He also dabbles in science fiction as science education with The Chronicles of the Wandering Star — part of an NSF-funded science curriculum — and the science comic Hanny & the Mystery of the Voorwerp, which he co-authored and co-edited — funding provided by NASA and the Hubble Space Telescope. Kelly on Twitter, Facebook, G+, ello
(Not sure why but this post from the reblogging project seems to have vanished)
I was having an online conversation today that made me reiterate one of the fundamental rules of selling your fiction—Never reject your own story. That’s the editor’s job. Too many times a writer will look at a story and decide one of three things:
A, this is a disaster and I can’t send it out.
B, this story isn’t the right sort of story for ________ (fill in the high end market of your choice).
C, this story is perfect for __________ (fill in the low end market of your choice).
In all three cases, the story never makes it to whatever is the writer’s dream market, thus guaranteeing that it will never be published there. But, for the cost of postage and a little time the writer could give the editor the chance to do the job of rejecting the story if it doesn’t work for them, or maybe, just maybe, buying that story.
Look at it this way:
When a writer pre-jects a story for an editor:
—The worst case scenario is that they don’t sell to dream market x.
—The best case scenario is also that they don’t sell to dream market x.
When a writer lets the editor make the decision:
—The worst case scenario is that they don’t sell to dream market x.
—The best case scenario is that they do sell to dream market x.