Book Signing Saturday May 2 Lafayette IN B&N

I will be at the Lafayette Indiana Barnes and Noble this Saturday, May 2nd, from 1:00-3:00pm signing books and chatting with readers for the Darkened Blade launch.

 

DARKENED BLADE

Upcoming Appearances Through July

One week warning: I will be reading from Darkened Blade at 7pm on April 28 at Barnes & Noble in Roseville MN

I will be at the Lafayette IN Barnes and Noble on May 2nd from 1:00pm-3:00pm.

I will be at Uncle Hugo’s in Minneapolis on Saturday May 9th at 1:00 PM.

On May 28 I will be giving a keynote speech followed by a signing at the Computer & Writing Conference at the University of Wisconsin Stout at 11:45 am.

I will be at the 4th Street Fantasy Con June 26-28 in Minneapolis MN.

Finally, I will be at CONvergence in Bloomington MN July 2-5.

Next Up: Darkened Blade + School for Sidekicks

So, it’s one month out from the launch of Darkened Blade, the sixth and final book in the Fallen Blade sequence, which is kind of hard to believe. After that, my next novel will be School for Sidekicks, a snappy snarky full length novel aimed at kids and all those adults who happily read fun books without worrying about target audiences which just received a starred review from Kirkus.

DARKENED BLADE  metal porthole; Shutterstock ID 82146736

Two Books A Year…eep!

2015 Update: This post about adapting to having two contracted books a year was originally published as I was working on Bared Blade. The pressures remain pretty much the same, and though I’ve since managed to write a Blade book in just 88 days now, I’m not sure I’m really capable of much more than two books a year.

So, this year I made the jump from having one book under contract per 12 month window, to having two books under contract per 12 month window. Now, at first glance you might say: That’s a doubling of your work load, what were you thinking?

What I was thinking was that in each of the previous four years I’d written two books, one on contract, one on spec. And, since I haven’t yet sold any of the spec books, though I do expect to, I would be doubling my income with no concomitant increase in work load. Turns out I was wrong.

Over the last decade or so I’ve tended to work in spurts with gaps of weeks or months between. Since ’06 that’s produced around 150-160k words per 12 month period, or one adult fantasy and one YA written on spec. And that’s been a mostly stress free level of production.

Under the new deal I’m only contracted for 180k per 12 months, which shouldn’t have been that much more work. But I also made the jump from contemporary fantasy to secondary world high fantasy and that seems to add about 20 percent more effort to the process. I’d heard something like that from George R.R. Martin at some point, but he was moving from science fiction to fantasy, and I was just changing types of fantasy. Surely it wouldn’t be that bad…

Add in that the first book went 7k long and that I expect this one to do so as well, and suddenly it’s the equivalent of 220-230k of what I was doing before. That’s 70-90k extra, or nearly another adult novel’s worth of effort. I’m getting it done and not dying, but it’s a major change.

The biggest adjustment from one book a year to two is how fast it catches up to me if I take a break. I’ve often dropped out for a month and a half of downtime at the end of a book, or when I needed to think about the story, or just to spend more time with my professor wife when she’s off from the University. Now, if I haven’t worked ahead, a month and a half is a 22k word deficit that I have to make up some time in my remaining four-and-a-half months.

When that was on a spec book, it didn’t really matter. I could always punt my personal deadline a little further out. I almost never did, but knowing that I could made a huge psychological difference. So, an extra novel’s worth of work plus more than doubled pressure. I think I’ve found a balance that makes it work for me, but it’s going to be very interesting seeing how things go when we hit my wife’s summer break this year.

(Originally published on the Wyrdsmiths blog February 23 2011, and original comments may be found there. Reposted and reedited as part of the reblogging project)

Terry Pratchett Is Gone And Another Pillar Falls

A writer has many parents—people who shape who we are and what we become. We have the parents of our blood and bone, the ones who gave us our bodies, our actual mothers and fathers. We have parents of the mind—teachers and personal role models who helped us find our talents and hone our arts. We also have the parents of our souls—the voices we hear when we imagine what it is to write, the writers who make us who and what we are.

Too often those voices belong to those who have passed on before we ever truly arrive on the scene, people we can never thank properly because we know them only through their words…Shakespeare, Cervantes, Moliere, Wilde. Sometimes we only miss them by the narrowest of margins. I never met Roger Zelazny, though he probably shaped the writer I have become more than almost anyone else. Too rarely we get the chance to meet them or thank them in some other way.

Some years ago I set out to write thank you letters to as many of my surviving influences as I could, the pillars of my authorial universe. I wanted to let them know how much they had meant to me and shaped my voice. Among those, one of the most important was Terry Pratchett. My second novel, the never published Swine Prince, was pretty much my attempt to be Terry when I grew up, and his work has echoed through mine ever since.

I never got the chance to meet Terry Pratchett, and yet he is one of the people who made me. Simply knowing he was out there somewhere writing away has made the world a better place. And now he isn’t, and that hurts. I will miss his wit, his wisdom, his humanity, and his sheer cleverness. I will miss the writer who saw cruelty and injustice and skewered them with unerring accuracy and merciless verve. I will miss the voice that has comforted me so often in dark hours and times of stress. But most of all, I will miss one of the mighty supports of my world, the giant whose shoulders so much of my own work is built upon.

Another of my authorial pillars has fallen. Or, if you prefer, my world has one less elephant holding it up.

Brain Empty (Reblog)

2015 update: I wrote this day after I finished Broken Blade and it’s hardly worth porting over, but there it is.

I’m done with the first book in the Chronicles of Aral Kingslayer and it’s left me completely wrung and kind of empty feeling. Not my normal pattern with a book. My head feels like there’s been a fire inside that just burned the whole thing hollow.
(Originally published on the Wyrdsmiths blog October 20 2010, and original comments may be found there (much more there in comments than here). Reposted and reedited as part of the reblogging project)

Awards Eligibility 2014

For anyone who is interested.

Short Story:

Rope Burns, Fantastic Stories of the Imagination (October 2014 issue)

Novel:

Drawn Blades, ACE books. (October 28, 2014)

Audio Books:

Broken Blade, Paul Boehmer (Narrator)  Tantor Audio (March 4, 2014)

WebMage, Vikas Adam (Narrator) Audible Studios (August 27, 2014)

Cybermancy, Vikas Adam (Narrator) Audible Studios (August 27, 2014)

CodeSpell, Vikas Adam (Narrator) Audible Studios (August 27, 2014)

MythOS, Vikas Adam (Narrator) Audible Studios (August 27, 2014)

Spellcrash, Vikas Adam (Narrator) Audible Studios (August 27, 2014)

In Translation:

Krieg der Klingen: Roman (German Edition) Frauke Meier (Translator), Bastei Entertainment (June 13, 2014)

Know When to Hold ‘Em and When to Fold ‘Em

Almost every professional writer or artist or performer that I know has a deciding-not-to-quit story—that moment when they decided to persist in the face of great adversity and keep writing or dancing or pursuing their photography. It’s the nature of the beast, it’s a tough, draining, demoralizing road, and sometimes you want to give up…and that’s okay. Sometimes giving up is the right answer. Sometimes, you’re not on the right road. I say this as someone who has succeeded at writing to a degree that’s incredibly rare. I also say this as someone who decided to quit, and walked away from acting.

I didn’t always want to be a writer. In fact, I didn’t seriously try to write anything for publication until I was in my early twenties. My degree is in theater with a performance focus. At the age of eleven I stumbled into an acting class by accident—a story I’ve told elsewhere. I stumbled into acting and I fell in love. I was a pudgy awkward kind of kid, raised on Shakespeare as much as Tolkien, with a storyteller’s instincts and a quick mind. Theater was perfect for me.

It let me play at being someone else—someone better and more handsome and funnier—and it gave me a sort of simulated popularity that I’d never experienced before. When I was on the stage I was cool, and I could make people laugh or clap—or, at least, that’s how it felt when I got the laughter and applause. It felt great, and I became wholly focused on the goal of becoming an actor from around the age of twelve. I took classes, I acted in plays, I did improv, and various sorts of performing with Renaissance festivals. I was quite good, and I know people from those days who say that they thought I was one of the few who could actually make it and earn a living as a performer.

They’re probably right. I could probably have made it to a place where I was getting enough character parts in paying shows to barely scrape by…at least for a while. But I was never going to make it big. I was never going to become a star of stage or film. At best, I might have become a big fish in some local community theater pond. That’s nothing to laugh at or condemn, but it’s not what I wanted.

I wanted the dream, and I simply wasn’t hungry enough, or pretty enough, or funny enough to manage it. I wanted it, but other people wanted it more, and many of them were better than I was ever going to be. I mostly pretended to myself that wasn’t true, but there were moments where I could see it, and again, there’s no shame in that. I was good, and I could have been very good, but you have to be great, and lucky, and, to borrow a phrase from the late Jay Lake, you have to have psychotic persistence. Being gorgeous is a huge help too. But I kept at it. I worked hard to get better. I tried.

And then I met the woman I was eventually going to marry, and I started thinking more deeply about my future and what I could accomplish and what would make me happy, and I had to make the hardest decision I’d ever made to that point, the decision to quit theater. I still loved it, and to this day there are parts of the whole enterprise that I miss enormously, but it was never going to make me happy, because I was never going to get where I wanted to go with it. So, I walked away, and I haven’t done a show since. It wasn’t easy and it still hurts sometimes, like I cut a part of myself off forever, but it was the right choice, and I’ve never doubted that. Just like I’ve never doubted my decision not to quit writing at a particularly low point in my life a decade or so ago.

I have friends who’ve walked away from the arts completely and who are much happier for it. Sometimes, you have to fold your cards and walk away from that particular table. Sometimes, quitting is the right choice.

A number of years ago I was sitting around a table with a bunch of novelists at the World Fantasy Convention talking about the people we knew who had started when we did but then later walked away from writing for one reason or another. It was very much an Auld Lang Syne moment—old friends fallen away as time passed and the road grew too steep or the costs to high for them to keep along the path—and every one of us was aware how easily that could have been us. I know people who are better natural writers than I am who couldn’t continue, or harder workers, or who got a much faster start. We all did. There’s no shame in it, only sadness for what might have been. On Thursday, my brother-in-law and fellow Wyrdsmith announced his decision to fold out of the game. I wrote this mostly for him, but also for all the other writers I know who’ve made that same decision.

So, deciding not to quit or deciding to quit. I’ve made both choices in my life, and I don’t regret either one. The important thing isn’t what you ultimately decide, it’s that you make the right decision for you.

Reblog: I Blame John Scalzi

Updated: This was inspired by Scalzi’s pranking of Wil Wheaton (link below) and perpetrated by my friend James (link in comments) with the support of a rather large cast of unindicted co-conspirators. It is also made of awesome.

Ravirn…on velvet…eviiiiiiiil:

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I see the painting:

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Me and my velvet Ravirn:

IMG_4238

Recreating the Wil Wheaton pose:

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And Scalzi’s original eviiiiiiiiil.

(Originally published on the Wyrdsmiths blog Dec 19 2009, and original comments may be found there. Reposted and reedited as part of the reblogging project)

Reblog: A Question Answered

Lately I’ve been posting a lot on Facebook and Twitter about vivid and bizarre dreams. Someone asked me where I get these things, and I thought that since the answer is writing related I’d toss it up here as well:

Unusual density of cross-linking in my neural networks. Or at least that’s the operating theory as it’s strongly in sync with family medical history. It’s part of why I write. When I’m writing a lot, I don’t remember my dreams much at all and when I do they’re almost always about the story I’m working on and useful to moving the story forward. When I’m writing less, my dreams tend to be wildly uncontrolled and extremely vivid. Since I’m currently in wait and see mode for which project is next up, I’m not really writing and the side effects are starting to get me.
(Originally published on the Wyrdsmiths blog Dec 31 2009, and original comments may be found there. Reposted and reedited as part of the reblogging project)